Friday, 1 September 2017

Kanthapura

Q-18

Write a critical note on the socio-cultural background of Kanthpura?

                                                

~> Introduction:-

           “Kanthapura” is a famous novel about south Indian village is written by a famous Indian writer “Raja Rao”. Here Kanthapura is only an imagination by Raja Rao .In this novel there is description about situation of the village during the time of 1930 before freedom.


This novel is divided in three different parts like :-

 

1.           Social 

2.         Political

3.         Religious

 

        “ Kanthapura” novel is related with mythology and freedom fighting movement during this time. People’s mind during this time is the main theme of the novel “Kanthapura”. At the starting point in Kanthapura the narrator “ Achakka” is telling about village and she uses her real village language in that. In political matter there is a freedom fighting movement from Gandhiji is related by “Moorthy”. People of Kanthapura belived that Moorthy is a second Gandhi.

          In religious matter there is a description of people’s orthodox mind, their languages,festivals and also in different many God and Goddess. After the freedom movement there is a transformation of village and it become “Kashipura” from “Kanthapura”.

 

~> Social-Cultural Background:-

 

Social background of Kanthapura is related with many things.

->Mythology

->Poverty and Illiterate of people

->Highly believed in  God and Goddess

->Celebration of different festivals

->No rights for women in society

->Believed in Gandhism and Moorthy 

           As per the points people of Kanthapura are believed in Myth , not in reality and they have not their own ideas because of their illitrateness. They all celebrated many festivals like “Dusshera” , “ Kartika Purnima” , “Ganesha jayanti” etc.

                              

                    

The main theme of social background is “ believe in Goddess” like “Kenchamma”.

People of Kanthapura are believed in Kenchamma as their Goddess and have a great faith in them. People have their own ideas about Kenchamma that:-

“ Kechamma is our goddess. Kenchamma came from Heavens.She fought so many nights that the blood soaked into the Earth , that is Kenchamma's hill is red".

 


After that they also believed that Moorthy is second Gandhi and freedom movement. 

 

              People of Kanthapura also have no rights for women and they also believed in no education for specially for girls.

           Social background of Indian villages is a reflection of Kanthapura. From the imaginative novel Kanthapura Raja Rao shows us reality of Indian villages. There are many descriptions about Indian Society.

  

-> People of Indian village are very Orthodox.

->They believed in mythology not in reality.        

     >People of India are very superstitious.

   >There are no right for women and also no high position for women.                                                                                              

                                     

   >As they are orthodox they don’t believe in “ Education”, specially for girls. So they all become illiterate in society.

>Indian villages are very simple but very poor in a comparison of cities.                                                                                                                                                                             

~> Summary of the novel Kanthapura by Raja Rao :-


                   Raja Rao’s first novel Kanthapura (1938) is the story of a village in south India named Kanthapura. The novel is narrated in the form of a ‘sthalapurana’ by an old woman of the village, Achakka. Kanthapura is a traditional caste ridden Indian village which is away from all modern ways of living. Dominant castes like Brahmins are privileged to get the best region of the village whereas Sudras, Pariahs are marginalized. The village is believed to have protected by a local deity called Kenchamma. Though casteist,  the village has got a long nourished traditions of festivals in which all castes interact and the villagers are united.

          The main character of the novel Moorthy is a Brahmin who discovered a half buried ‘linga’ from the village and installed it. A temple is built there, which later became the centre point of the village life. All ceremonies and festivals are celebrated within the temple premises.

         Hari-Kathas, a traditional form of storytelling, was practiced in the village. Hari-Kathas are stories of Hari(God). One Hari-Katha man, Jayaramachar, narrated a Hari Katha based on Gandhi and his ideals. The narrator was arrested because of the political propaganda instilled in the story.

            The novel begins its course of action when Moorthy leaves for the city where he got familiar with Gandhian philosophy through pamphlets and other literatures. He followed Gandhi in letter and spirit. He wore home spun khaddar. Discarded foreign clothes and fought against untouchability. This turned the village priest, a Brahmin, against him who complained to the swami who was a supporter of foreign government and Moorthy was ex-communicated.  Heartbroken to hear it, his mother Narasamma passed away.

          Bade Khan was a police officer, a non hindu of Kanthapura. He was brought and supported by the coffee planters who were Englishmen. Considered as an outsider, Bade khan is an enemy of the people who refuses to provide shelter to him.

              After the death of his mother, Moorthy started living with an educated widow Rangamma, who took part in India’s struggle for freedom. Moorthy was invited by Brahmin clerks at Skeffington coffee estate to create an awareness among the coolies of the estate. When Moorthy turned up, Bade Khan hit him and the pariah coolies stood with Moorthy.  Though he succeeded in following Gandhian non violence principle, the incident made him sad and unhappy.  

           Rachanna and family were thrown out of the estate because of their role in beating Bade Khane. Meanwhile, Moorthy continued his fight against injustice and social inequality and became a staunchest ally of Gandhi. Taking the responsibility of the violent actions happened at the estate; Moorthy went on a three day long fasting and came out victorious and morally elated.Following the footsteps of Gandhi, a unit of the congress committee was formed in Kanthapura. Gowada, Rangamma, Rachanna and seenu were elected as the office bearers of the committee and they avowed to follow Gandhi’s teachings.



               Fearing the greater mobility of people of Kanthapura under the leadership of Moorthy, the foreign government accused him of provoking people to inflict violence it and arrested him. Though Rangamma and Rachanna were willing to release him on bail, he refused. He was punished for three months rigorous imprisonment.

                The theme of Kanthapura may be summed up as ‘Gandhi and our village’, but the style of narration makes the books more a Gandhi Purana than a piece of mere fiction. Gandhi is the invisible God, Moorthy is the visible Avatar. The reign of the rodmen is Asuric rule, and it is resisted by the Devdas, the Satyagrahis. The characters sharply divide into two camps: the Rulers (and their supporters) on the one hand and the Satyagrahis (and their sympathizers) on the other. These are – various other divisions too.

~> Conclusion:-

              “Raja Rao’s Kanthapura is one of the finest novels to come out of mid-twntieth century India. It is the story of how Gandhi’s struggle for independence from the British came to a typical village, Kanthapura in South India.  Young Moorthy, back from the City with “ New Ideas “ cuts across the ancients barriers of caste to unite the villagers in non-violent action – which is met with violence by landlords and Police. The dramatic tale unfolds in a poetic, almost mythical style which conveys as never before the rich textures of Indian rural life. The narrator is an old woman, imbued with the legendary history of the region, who knows the past of all the characters and comments on their actions with sharp-eyed wisdom. Her narrative, and the way she tells it, evokes the spirit of India’s traditional folk-epics. This edition includes extensive notes on Indian myths, religion, social customs, and the independence movement which fill out the background for the American reader’s more complete understanding and enjoyment.”

No comments:

Post a Comment